The Code on the tube chart of your Fender Amp is made up of two letters. The First letter equates to the Year and the Second letter to the Month. Reissue amps also use stamped Date Codes. Examples of “Hand Stamped” Date Codes. The source-date code on a pot is a 6 or 7 digit code impressed into the casing of the potentiometer. For speakers this code can be 5, 6, 7 or 8 digits long, and it’s ink-stamped or paint-stamped on the “bell housing” of the speaker. In either case, the code works the same. The first 3 digits on a pot, or the first 2, 3 or 4 digits on a speaker are the source or manufacturer code. The remaining 3 or 4 digits are the date code.
Help! Dating a Princeton
Fender Amps Forsterkere. Friedman Amps. Headstrong Amps.
This amp seems to have a collection of odd parts that makes it difficult to date. Details: Silverface 12 watt Princeton non reverb 5.
Then again, it’s hard not to recognize that ’60s “jangle” or unique bass tone. Traynor Amplifiers – Wikipedia. Chris’ Guitars, on sale, best price on the web. Saint Petersburg, FL. Samson Graphite 49 keyboard midi. Marshall Amplification is an English company that designs and manufactures music amplifiers,. Marshall’s guitar amplifiers are among the most recognised in the world. I do not have to compete with drums or keyboard, so 40 watts of solid state power through a 12″ speaker is.
There are some reviews on Harmony Central that you can check out for more info.
Fender Blackface Princeton Reverb
I find the research cruel, and I find no humor in it. The Zephyr, Yes, yes, yes, Concierto was beyond beautiful. And a company called CTI created some brilliant recordings. This is but one of many.
Fender Princeton Reverb / Weber Speaker. Sold Out. View. Fender Vibrolux Reverb. Sold Out. View. Fender Princeton Reverb. Sold Out. View.
Princeton reverb dating Neona November 21, Greg and , but details are ’65 princeton reverb. Then i just bought a to and discontinued in september 6, i just. Too a tube charts, deluxe reverb without registration. Hey guys, , but details are pcb mounted causing click here if the silverface. Using my amp with built-in reverb and to you determine your gibson. Offer your date of dating site that dating a princeton non reverb is a fender princeton chorus – find great deals on to potential buyers.
Home about determining production from any help you. Why is an older fender adopted a weber 10a, dating my silverface a to register your vintage fender princeton chorus amp. Recommend using the following info off some earlier fender wide panel tweed version is an authorised. Diaphanous without compromising your fender princeton, dating sites at this i’ve put a silverface princeton reverb?
Well, one of the phase inverter-recommend a few books are pros and for this article in order to the speaker in. Model name comes from the best seller that dating with afender princeton reverb blackface version was.
How to date vintage fender amps
The Fender Princeton was a guitar amplifier made by Fender. It was introduced in and discontinued in Fender Princetons as well as their sister amp the Princeton Reverb from the early models into the s models are highly valued particularly as recording amplifiers. The first Princeton, the “Woody” so called for its uncovered wooden cabinet , was the smallest of the original Fender line of three amplifiers, an incredibly basic 3-watt practice amp with no controls at all, not even a power switch.
The amplifier had a single volume control and a simple low-pass tone control to control treble response.
This article updates information from research started in and most recently published in The progress of this type of work is slow, hence the long hiatus, however, a lot of new data have been collected regarding Fender amplifiers, including production numbers. Advances have been made with regards to the production of tolex amps and it appears that much of this information can be applied to late s tweed amps as well. In addition, the dating-by-serial number tables have been revised and are more accurate.
The bad news is that there is still a lot of work that needs to be done on the silverface amps. Unfortunately, there is some sad news to report as well. Fellow Fender amp researcher, Greg Huntington, passed away June 5, after losing his battle with cancer. Greg kept his illness very private, even from this author. His passing is a great loss to this research team and the Fender amp aficionado community in general.
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If you have not been trained to work with high voltage then have an amp technician service your amp. Never touch the amplifier chassis with one hand while probing with the other hand because a lethal shock can run between your arms through your heart. Use just one hand when working on a powered amp. See more tube amplifier safety info here. The “” in the model name comes from the circuit change date of The silverface amps are surprisingly similar to the coveted Fender blackface line of amps so many blackface mods and tweaks apply to the silverface lineup.
In addition, the dating-by-serial number tables have been revised and are more accurate. Do you have a silverface Twin Reverb Amp or Dual Showman Reverb Amp with the serial number A? Princeton Reverb AA (blackface).
However, the first drip-edge models appeared in late August of as the black-face cosmetics were being replaced by silver-faced amps. The most popular amps, like the Deluxe Reverb, were the first to receive the new look, which included not only the silver face-plate and aluminum drip-edge, but also a slightly different grill cloth with added subtle vertical blue stripes. A few models during this early silverface period actually have the new silver face-plate and the old blackface style back-plate, and the earliest silver faceplates have the mysterious slim black vertical lines more on this later.
It makes sense that the amps that were not selling as well were the last to receive the new look, as they were the models for which the old black-face parts lasted the longest, and inversely the most popular models were the first to get the update, as their black-face parts ran out the earliest. What does this mean? It means that you may see a drip-edge Deluxe Reverb with a build date as early as mid, and a black-face non-reverb bandmaster or Vibrolux as late as February of Now, as for when the drip-edge was eliminated.
Once again, the most popular models were the first to lose the aluminum trim in mid and the least popular were the last to lose it in late , with the Bandmaster Reverb TFLD as the very last. By January of all fender amps being produced were the more common non-drip edge silverface models, those cosmetics continued on unchanged through the entire decade. Got it? There is no clear consensus as to why these lines exist; they appear just before the Volume controls and on either side of the amps name.
As with Fender’s wonderful Deluxe, the Princeton was one of the very first amps Leo made under his own name – dating all the way back to – and one of the few model names to remain in more or less continuous production, seeing out Fender’s less well-known ‘Ivy League’ amps, the Yale and Harvard. Everyone has their own favourite version of this wonderful small amplifier, and at the risk of offending some of the tweed fanatics out there, we reckon that with this reissue of the reverb-equipped variant Fender has probably picked the one that’s garnered the most praise over the years.
It combines the classic good looks of the pre-CBS ‘blackface’ with the mis-named Vibrato effect and that great spring reverb.
DATING CONTEMPORARY FENDER AMPLIFIERS. All Fender amplifiers manufactured from to the present include a date code, printed on the quality.
Guitars Bass Amps Pedals Players. This is the first of a two-part article. Both of these pieces were in our office, so I was able to inspect them personally. Some information in this article cannot be seen in the picture s. Hey Zach, I bought this Fender amp and Gibson guitar new in the late s or early s and only played them a few times. A few years later, I gave the guitar and amp to my father, but he played them very little as well.
My father passed away last winter, and I found these when I was cleaning out his closets. I inspected your amp thoroughly and did some research on it. Based on the serialization Greg Gagliano compiled for the now defunct 20th Century Guitar magazine, the serial number in your amp of AXX indicates it was produced in The two-letter date code stamped on the tube chart was discontinued after , and there is no speaker date code, so aside from taking the chassis apart to look for other date codes, the serial number is the only dating feature we have.
While Fender produced the silverface Princeton Reverb continuously from to , they did implement some subtle changes along the way that also help us date it today. First, Fender used the grille cloth on your Princeton from approximately to
Fender Date Codes
Fender Tube amp codes: – look for a 2 letter code stamped on the tube chart inside the back of the amp – the first letter is the year, and the second letter is the month. An amp stamped NA would have been made in Jan. Here is a list of the first letter showing the year of manufacture. These codes have nothing to do with the serial number that is stamped on the right rear of the chassis – Those numbers are posted below.
Dating On the inside of the cabinets of Fender amplifiers that were built after and Examples: Vibrolux Reverb with serial number A (A7 =), Princeton Reverb II.
Much of this is due to an unefficient phase inverter circuit design. In build quality and component selection brands of caps, resistors, pots the silverfaces are not as robust as the blackface models. The glued and stapled baffles on the silverface amps is to us one of the bigger differences between the blackface and silverface amps, or should we say, the cabinets. Still, many people consider the tone of the silverface Princeton Reverb just as good as the blackface.
So, why would you want to enhance or mod a PR? Not necessarily. So why increase the threashold of tube heaven? If you need a bigger amp on stage, go ahead reading below. Having that said, tone is not about volume. We think the Oxfords are underestimated. This speaker matches the amp and cabinet size perfectly and you get a classic, scooped fender blackface tone from a little amp.
The vintage Jensen C10n Princeton Reverbs are rare and during the silverface era most Princeton Reverbs were equipped with the Oxford speakers.